Bodies twist, extend, intersect – forming a field of kinetic energy that suggests exchange rather than performance. The movement feels immediate, unrepeatable, slightly beyond capture.
In Something in the Air (Transmission), motion becomes the subject. The figures are simply its manifestation – that push and pull, stop and start, the eternal cooperation of opposing forces. Legendary, really, when we become more than bodies.
The figures don’t explain the event. They embody it.
Within the BwahT framework, this belongs to Ritual Motion – moments where energy transfers through form without fixed meaning.
The viewer is left with residue rather than narrative: these things occur but can’t be held. Grasp, and find what you’ve grasped is gone. Let go, and it remains.
Originally done on linen paper with ink and Prismacolor.